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Hans Pfitzner

ハンス・プフィッツナー

Hansu Pufittsunā

Aliases: Hans Erich Pfitzner

Profile

Gender
Male
Born
1869-05-05 (Moscow)
Died
1949-05-22 (Salzburg) age 80
Nationality
German
Languages
German
Residence History
Moscow → Frankfurt → Koblenz → Mainz → Berlin → Strasbourg → Munich → Salzburg

Career

Occupations
composer, conductor, music teacher, polemicist
Active Years
1884-1949
Affiliations
Theater des Westens, Berlin, Staatstheater Mainz, Strasbourg Conservatory and Opera, Munich Opera
Memberships
Munich Academy of Music
Influenced By
Richard Wagner, Johannes Brahms, Max Bruch
Influenced
Carl Orff, Otto Klemperer, Charles Münch

Education

Hoch Conservatory
composition and piano
Period: 1886-1890
Year of Graduation: 1890
Country: Germany
Studied composition with Iwan Knorr and piano with James Kwast

Awards & Nominations

Works

Major Works

Palestrina

1917 opera

Musical legend in three acts loosely based on the life of the sixteenth-century composer Giovanni Pierluigi da Palestrina.

art and powersacred musicanti-modernism

Der arme Heinrich

1895 opera

Music drama based on the poem of the same name by Hartmann von Aue.

redemptionlove

Die Rose vom Liebesgarten

1901 romantic opera

Romantic opera with prelude, two acts, and postlude.

lovemystery

Violin Concerto in B minor

1923 concerto

Dedicated to violinist Alma Moodie.

post-Romantic

Style & Themes

Literary Style
post-Romanticconservativeextended thematic developmentchamber music intimacy
Recurring Motifs
German soulcultural pessimismanti-futurism

Health

  • gall bladder disease
    1923
    underwent surgery and hospitalized
  • mental illness
    1945頃
    became homeless and mentally ill

Legacy

Highly regarded post-Romantic composer and anti-modernist, best known for the opera Palestrina. Had complicated relations with Nazis; rehabilitated post-war with renewed interest in his music. Featured on 1994 German postage stamp.

In Popular Culture

  • Featured on 1994 German postage stamp

Quotes

  • Busoni places all his hopes for Western music in the future and understands the present and past as a faltering beginning, as the preparation. But what if it were otherwise? What if we find ourselves presently at a high point, or even that we have already passed beyond it?
    Source: Futuristengefahr (1917)
  • Despite all the dark experiences of today I am still confident that Palestrina will remain. The work has all the elements of immortality.
    Source: Letter by Bruno Walter (1962)

Trivia

  • Born in Moscow where his father played cello in a theater orchestra
  • Married James Kwast's daughter after she rejected Percy Grainger
  • Suspected of being half-Jewish by Nazis and forced to prove Aryan ancestry
  • Teachers included Carl Orff and Otto Klemperer among pupils
  • Buried in Vienna