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John Crowe Ransom

ジョン・クロウ・ランサム

John Crowe Ransom

Profile

Gender
Male
Born
1888-04-30 (Pulaski, Tennessee, US)
Died
1974-07-03 (Gambier, Ohio, US) age 86
Nationality
United States
Languages
English
Religion
Methodist
Residence History
Pulaski, Tennessee, US → Spring Hill, Tennessee, US → Franklin, Tennessee, US → Springfield, Tennessee, US → Nashville, Tennessee, US → Gambier, Ohio, US (Kenyon College)

Career

Occupations
educator, scholar, literary critic, poet, essayist, editor
Active Years
1909-1974
Affiliations
Vanderbilt University (faculty), Kenyon College (faculty; founding editor of Kenyon Review), The Fugitive (poets, founding member), Southern Agrarians, American Academy of Arts and Letters (member)
Memberships
American Academy of Arts and Letters
Influenced By
John Dewey, Modernist poets and movements
Influenced
Robert Penn Warren, Allen Tate, Cleanth Brooks, Randall Jarrell, Robert Lowell, E.L. Doctorow
Nominations
Nominated for the 1973 Nobel Prize in Literature

Education

Vanderbilt University
Undergraduate (Arts) / Philosophy / English-related
Degree: B.A.
Period: 1904–1909
Year of Graduation: 1909
Country: United States
Entered at 15, graduated top of class
Christ Church, Oxford (University of Oxford)
Greats (Classics/Philosophy) / Classics / Philosophy
Degree: Second class honours (Greats) / M.A. (取得年不詳)
Period: 1910–1913
Year of Graduation: 1913
Country: United Kingdom
Attended as Rhodes Scholar, read Greats and received second-class honours

Awards

Rhodes Scholarship
1910
Organization: Rhodes Trust
Result: 受賞
Bollingen Prize for Poetry
1951
Organization: Bollingen Prize Committee
Result: 受賞
Russell Loines Award for Poetry
1951
Organization: National Institute of Arts and Letters
Result: 受賞
National Book Award (for Selected Poems)
1964
Work: Selected Poems
Organization: National Book Foundation
Result: 受賞

Awards & Nominations

Works

Major Works

The New Criticism

1941 Literary criticism

A collection of essays arguing for precise, text-centered criticism and presenting key ideas that influenced the New Criticism movement.

close readingformalismaesthetics of poetry

Poems About God

1919 Poetry collection

An early collection of poems with religious and philosophical themes, showing early signs of his formal precision.

religiositySouthern domestic lifeformal restraint

Chills and Fever

1924 Poetry collection

One of his representative poetry collections, noted for wit and strict formal control.

ironynostalgiahuman relations

Two Gentlemen in Bonds

1927 Poetry collection

A collection representing his 1920s poetry, marked by formalism and restrained emotion.

formalismrestrained feelingSouthern landscapes

Selected Poems

1963 Poetry (Selected Poems)

A curated selection of his poems; this edition led to the National Book Award.

retrospectionpursuit of formSouthern themes

Bibliography

  • Poems About God (1919)
  • Chills and Fever (1924)
  • Grace After Meat (1924)
  • Two Gentlemen in Bonds (1927)
  • The World's Body (1938)
  • The New Criticism (1941)
  • A College Primer of Writing (1943)
  • Selected Poems (1963)
  • Poems and Essays (1965)
  • Beating the Bushes: Selected Essays, 1941–1970 (1972)

Style & Themes

Literary Style
strict formalism (meter and rhyme)concise and precise dictioncalm, ironic observation
Recurring Motifs
Southern domestic lifenostalgia for the pastreligious and ethical questions

Legacy

An important 20th-century American critic and poet. As a founder of the New Criticism he shaped critical methodology and mentored many prominent students. His relatively small poetic output is highly regarded for formal precision.

Academic Societies

  • American Academy of Arts and Letters

Archives

  • Kenyon College Archives (John Crowe Ransom papers)
  • Vanderbilt University Special Collections
  • East Carolina Manuscript Collection (Stuart Wright Collection)

Quotes

  • Criticism must become more scientific, or precise and systematic.
    Source: "Criticism, Inc." (The Virginia Quarterly Review, 1937) (1937)

Trivia

  • Founding editor of the Kenyon Review.
  • Won the Bollingen Prize in 1951.
  • Nominated for the 1973 Nobel Prize in Literature.