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Lesley Howarth

レスリー・ハワース

Resurī Howāsu

Pen Names: L. P. HowarthUsed for Tales from the Sick Bed series

Profile

Gender
Female
Born
1952-12-29 (Bournemouth, England)
Nationality
British
Languages
English

Career

Occupations
children's author, young adult fiction author
Active Years
1993-2010
Nominations
Whitbread Children's Book Award shortlist (The Flower King, 1993), Carnegie Medal shortlist (MapHead, 1994), W. H. Smith Mind Boggling Books Award shortlist (MapHead, 1995), Young Telegraph Book Award shortlist (MapHead, 1995)

Education

Bournemouth School for Girls
Period: 幼少期
Country: United Kingdom
Attended as a child
Bournemouth College of Art
Art
Country: United Kingdom
Croydon College of Art
Art
Country: United Kingdom

Awards

Guardian Children's Fiction Prize
1995
Work: MapHead
Organization: The Guardian
Result: winner
Nestlé Smarties Book Prize
1995
Work: Weather Eye
Category: 9-11歳部門
Organization: Nestlé
Result: winner

Awards & Nominations

Works

Major Works

MapHead

1994 Children's literature

A story involving adventures with maps.

mapsadventuretechnology

Bibliography

  • The Flower King (1993)
  • MapHead (1994)
  • Weather Eye (1995)
  • The Pits (1996)
  • Fort Biscuit (1996)
  • Welcome to Inner Space (1997)
  • MapHead 2 (1997) / Maphead: the return (US)
  • Quirx: The Edge of the World (1998)
  • Bad Rep (1998)
  • Paulina (1999)
  • Yamabusters (1999)
  • The Squint (1999)
  • Aliens for Dinner (1999)
  • Mister Spaceman (2000)
  • I Managed a Monster (2000)
  • No Accident (2000)
  • Ultraviolet (2001)
  • Carwash (2002)
  • Dade County's Big Summer (2002)
  • Drive (2004)
  • Colossus (2004)
  • Calling the Shots (2006)
  • Bodyswap: The Boy Who Was 84 (2009)
  • Tales from the Sick Bed (2009)
  • Swarf (2010)

Style & Themes

Literary Style
Humanizing highly technical or unusual subjectsThe romance of hard things

Legacy

Award-winning British children's author, notably Guardian Children's Fiction Prize winner.

Quotes

  • Reviewers including Philip Pullman have remarked upon Howarth's ability to 'humanize' highly technical or unusual subjects.
    Source: The Guardian (2000)