Anisfield-Wolf Book Award
1 appearances
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Edition 74 (2009) Winner
ナム・レー
Nam Le
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| University of Melbourne | Faculty of Arts / Faculty of Law | Arts / Law | BA (Hons); LLB (Hons) | 不明 | Australia |
| Iowa Writers' Workshop (University of Iowa) | — | Creative Writing | Master's in Creative Writing (MFA) | 2004 | United States |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2007 | Pushcart Prize | — | — | Pushcart Press | Won |
| 2008 | Dylan Thomas Prize | The Boat | — | Dylan Thomas Prize | Won |
| 2007 | Michener-Copernicus Fellowship | — | — | Michener-Copernicus | Fellowship |
| 2009 | Anisfield-Wolf Book Award | The Boat | Fiction | Anisfield-Wolf | Won |
| 2008 | National Book Foundation '5 Under 35' Honoree | — | — | National Book Foundation | Honoree |
| 2010 | PEN/Malamud Award | — | — | PEN/Malamud | Won |
| 2025 | New South Wales Premier's Literary Awards — Book of the Year | 36 Ways of Writing a Vietnamese Poem | Book of the Year | New South Wales Premier's Literary Awards | Won |
| 2025 | NSW Multicultural Award | 36 Ways of Writing a Vietnamese Poem | — | New South Wales Premier's Literary Awards | Won |
| 2025 | Kenneth Slessor Prize for Poetry | 36 Ways of Writing a Vietnamese Poem | — | New South Wales Premier's Literary Awards (Poetry) | Shortlisted |
| 2025 | Mary Gilmore Award | 36 Ways of Writing a Vietnamese Poem | — | Mary Gilmore Award | Shortlisted |
| 2009 | Prime Minister's Literary Award (Fiction) | The Boat | Fiction | Prime Minister's Literary Awards | Won |
A collection of seven short stories set in places such as Colombia, New York City, Iowa, Tehran, Hiroshima and small-town Australia, each depicting pivotal moments in the characters' lives.
A poetry collection exploring forms and voices of Vietnamese poetry, addressing cultural memory and intersections of language.
Recognized for bringing the short story back to the literary spotlight with The Boat. Internationally awarded and praised for his poetic language and diverse settings including perspectives from the Vietnamese diaspora.
I loved reading, and if you asked me why I decided to become a writer, that's the answer right there: because I was a reader and I was just so enthralled and thrilled by the stuff that I'd read that I just thought; what could be better?
My relationship with Vietnam is complex... I feel a responsibility to the subject matter.