World Literary Awards

← Back to Home

Nam Le

ナム・レー

Nam Le

Profile

Gender
Male
Born
1978-01-01 (Vietnam)
Nationality
Australian
Languages
English
Residence History
Vietnam (birth) → Melbourne, Australia → Iowa, USA (study) → Norfolk / East Anglia, UK (fellowship)

Career

Occupations
Writer, Editor, Former corporate lawyer
Active Years
2006-
Affiliations
Harvard Review (fiction editor), Fine Arts Work Center (Provincetown, fellow), Phillips Exeter Academy (fellow), University of East Anglia (fellowship)
Influenced By
Chris Wallace-Crabbe, Poetic tradition / poets (general influence)

Education

University of Melbourne
Faculty of Arts / Faculty of Law / Arts / Law
Degree: BA (Hons); LLB (Hons)
Period: 不明
Country: Australia
Arts thesis supervised by poet Chris Wallace-Crabbe
Iowa Writers' Workshop (University of Iowa)
Creative Writing
Degree: Master's in Creative Writing (MFA)
Period: 2004
Year of Graduation: 2004
Country: United States
Attended Iowa Writers' Workshop; completed master's degree in creative writing

Awards

Pushcart Prize
2007
Organization: Pushcart Press
Result: Won
Dylan Thomas Prize
2008
Work: The Boat
Organization: Dylan Thomas Prize
Result: Won
Michener-Copernicus Fellowship
2007
Organization: Michener-Copernicus
Result: Fellowship
Anisfield-Wolf Book Award
2009
Work: The Boat
Category: Fiction
Organization: Anisfield-Wolf
Result: Won
National Book Foundation '5 Under 35' Honoree
2008
Organization: National Book Foundation
Result: Honoree
PEN/Malamud Award
2010
Organization: PEN/Malamud
Result: Won
New South Wales Premier's Literary Awards — Book of the Year
2025
Work: 36 Ways of Writing a Vietnamese Poem
Category: Book of the Year
Organization: New South Wales Premier's Literary Awards
Result: Won
NSW Multicultural Award
2025
Work: 36 Ways of Writing a Vietnamese Poem
Organization: New South Wales Premier's Literary Awards
Result: Won
Kenneth Slessor Prize for Poetry
2025
Work: 36 Ways of Writing a Vietnamese Poem
Organization: New South Wales Premier's Literary Awards (Poetry)
Result: Shortlisted
Mary Gilmore Award
2025
Work: 36 Ways of Writing a Vietnamese Poem
Organization: Mary Gilmore Award
Result: Shortlisted
Prime Minister's Literary Award (Fiction)
2009
Work: The Boat
Category: Fiction
Organization: Prime Minister's Literary Awards
Result: Won

Awards & Nominations

Works

Major Works

The Boat

2008 Short story collection

A collection of seven short stories set in places such as Colombia, New York City, Iowa, Tehran, Hiroshima and small-town Australia, each depicting pivotal moments in the characters' lives.

Migration / diasporaIdentityFamilyMemoryMoral choice

36 Ways of Writing a Vietnamese Poem

2024 Poetry collection

A poetry collection exploring forms and voices of Vietnamese poetry, addressing cultural memory and intersections of language.

PoeticsCultural memoryLanguage and translation

Bibliography

  • The Boat (short story collection) (2008)
  • 36 Ways of Writing a Vietnamese Poem (2024)

Style & Themes

Literary Style
Lyric, language-focused yet structurally attentive proseTight short-story craftsmanship emphasizing scene-based tension
Recurring Motifs
Exile and movementParental sacrificeMemory and confessionCultural identity conflict

Legacy

Recognized for bringing the short story back to the literary spotlight with The Boat. Internationally awarded and praised for his poetic language and diverse settings including perspectives from the Vietnamese diaspora.

Quotes

  • I loved reading, and if you asked me why I decided to become a writer, that's the answer right there: because I was a reader and I was just so enthralled and thrilled by the stuff that I'd read that I just thought; what could be better?
    Source: ABC Radio 'The Book Show' interview (2008)
  • My relationship with Vietnam is complex... I feel a responsibility to the subject matter.
    Source: Interview (2008) (2008)

Trivia

  • Came to Australia from Vietnam as a boat refugee when he was less than one year old
  • Worked as a corporate lawyer before turning to creative writing
  • Served as fiction editor at the Harvard Review