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Suzanne Jacob

スザンヌ・ジャコブ

Suzanne Jacob

Profile

Gender
Female
Born
1943 (Amos, Quebec, Canada)
Nationality
Canadian
Languages
French
Residence History
Amos, Quebec → Nicolet, Quebec → Montreal

Career

Occupations
Novelist, Poet, Playwright, Singer-songwriter, Critic
Active Years
1970-
Affiliations
Academy of Arts and Letters of Quebec
Memberships
Academy of Arts and Letters of Quebec

Education

Collège Notre-Dame de l'Assomption
Classics
Country: Canada
Université de Montréal
Literature and Art History
Country: Canada

Awards

Governor General's Award for French-language fiction
1983
Work: Laura Laur
Organization: Canada Council
Result: 受賞
Governor General's Award for French-language poetry
1998
Work: La Part de feu
Organization: Canada Council
Result: 受賞
Prix Paris-Québec
1983
Work: Laura Laur
Result: 受賞
Prix du Patriote
1970
Category: 歌手ソングライター・オブ・ザ・イヤー
Result: 受賞
Félix-Antoine-Savard poetry prize
2007
Work: Ils ont été nombreux à répondre
Result: 受賞

Awards & Nominations

Works

Major Works

Laura Laur

1983 Novel

A novel about family and loss.

FamilyLoss
Adaptations
  • [Film] Laura Laur / Brigitte Sauriol (1989)

Bibliography

  • Flore Cocon (1978)
  • Laura Laur (1983)
  • La Passion selon Galatée (1987)
  • L'Obéissance (1991)
  • Rouge, mère et fils (2001)
  • Wells (2003)
  • Fugueuses (2005)
  • Life, After All (1989)
  • Maude (1997)
  • Les Aventures de Pomme Douly (1988)
  • A Beach in Maine (1993)
  • Parlez-moi d'amour (1998)
  • Poèmes I – Gémellaires (1980)
  • Les Écrits de l'eau (1996)
  • La Part de feu (1997)
  • Ils ont été nombreux à répondre (2007)
  • La Bulle d'encre (1997)
  • Comment pourquoi (2002)
  • Ah—! (1996)

Translations of Works

  • Fugueuses → Fugitives (2008)

Style & Themes

Literary Style
Use of fiction to create discrepancies, breaks, and uncertainty
Recurring Motifs
Challenging the rigidity of fundamentalism

Legacy

Important figure in Quebec literature, twice winner of Governor General's Award.

Archives

  • Library and Archives Canada

Quotes

  • From the beginning she has continually tried to use fiction as a way of creating discrepancies, breaks, and uncertainty in the monolithic set of beliefs that surround us, and that without these discrepancies nothing would shake the rigidity of fundamentalism.
    Source: La Bulle d'encre (2001)