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Edition 3 (1998) Winner
Ruth Ozeki
ルース・オゼキ
Rūsu Ozeki
Profile
- Gender
- Female
- Born
- 1956-03-12 (New Haven, Connecticut, U.S.)
- Nationality
- American, Canadian
- Languages
- English, Japanese
- Religion
- Sōtō Zen Buddhism
- Residence History
- Northampton, Massachusetts → New York, New York → Cortes Island, British Columbia
Career
- Occupations
- novelist, filmmaker, professor, Zen Buddhist priest (Sōtō), screenwriter
- Active Years
- 1980-
- Affiliations
- Smith College, Department of English Language and Literature (Grace Jarcho Ross 1933 Professor of Humanities)
- Influenced By
- Her father Floyd Lounsbury (linguist/anthropologist) and the influence of both American and Japanese cultures
- Influenced
- Influenced contemporary cross-cultural writers and environmental literature
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Smith College | — | English and Asian Studies | B.A. | 1976–1980 | United States |
| Nara Women's University (graduate fellowship) | — | — | — | 1980–1981 | Japan |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1994 | International Documentary Association Distinguished Achievement Award | Halving the Bones | — | International Documentary Association | winner |
| 1994 | Kodak Award for Creative Use of Cinematography | Halving the Bones | — | Kodak | winner |
| 1994 | San Francisco Film & Video Festival New Visions Award | Body of Correspondence | — | San Francisco Film & Video Festival | winner |
| 1998 | Kiriyama Prize | My Year of Meats | — | Kiriyama Prize | winner |
| 1998 | Imus/Barnes & Noble American Book Award | My Year of Meats | — | Imus / Barnes & Noble | winner |
| 2003 | WILLA Literary Award for Contemporary Fiction | All Over Creation | Contemporary Fiction | WILLA Literary Award | winner |
| 2004 | American Book Award | All Over Creation | — | Before Columbus Foundation | winner |
| 2013 | Man Booker Prize | A Tale for the Time Being | — | Man Booker Prize | shortlist |
| 2013 | Los Angeles Times Book Prize (Fiction) | A Tale for the Time Being | Fiction | Los Angeles Times | winner |
| 2013 | Kitschies Red Tentacle Prize | A Tale for the Time Being | — | The Kitschies | winner |
| 2014 | Canada-Japan Literary Award | A Tale for the Time Being | — | Canada-Japan Literary Award | winner |
| 2014 | Dos Passos Prize | A Tale for the Time Being | — | Dos Passos Prize | winner |
| 2014 | Medici Book Club Prize | A Tale for the Time Being | — | Medici Book Club | winner |
| 2014 | National Book Critics Circle Award (shortlist) | A Tale for the Time Being | Fiction | National Book Critics Circle | shortlist |
| 2014 | Sunburst Award | A Tale for the Time Being | — | Sunburst Award Society | winner |
| 2015 | Yasnaya Polyana Literary Award | A Tale for the Time Being | — | Yasnaya Polyana Literary Award (Leo Tolstoy Museum & Samsung) | winner |
| 2022 | Women's Prize for Fiction | The Book of Form and Emptiness | — | Women's Prize | winner |
Awards & Nominations
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Edition 25 (2004) Winner
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Edition 0 (2013) Winner
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Edition 34 (2013) Winner
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Edition 5 (2013) Winner
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Edition 33 (2014) Winner
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Edition 20 (2014) Winner
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Edition 13 (2015) Winner
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Edition 27 (2022) WinnerWork: The Book of Form and Emptiness
A novel that weaves together grief, loss, growing up, climate change, jazz, and attachment to material possessions. Through the idea that objects may be semi-sentient, it reflects on the power of books, stories, and listening closely to the world.
Works
Major Works
My Year of Meats
1998 Fiction (social novel)Based on her work in Japanese television, the novel follows two women on opposite sides of the Pacific whose lives become connected through a TV cooking show.
All Over Creation
2003 Fiction (environmental, agricultural)Focuses on an Idaho potato-farming family and environmental activists opposing GMOs, exploring environment, technology and family dynamics.
A Tale for the Time Being
2013 Fiction (metafiction with historical and philosophical elements)After the 2011 Tōhoku earthquake and tsunami, a novelist finds a diary washed ashore and becomes obsessed with the fate of the Japanese schoolgirl who wrote it. The novel explores time, memory and identity.
The Book of Form and Emptiness
2021 Fiction (contemporary with elements of magical realism)About a 14-year-old boy who begins to hear voices from objects in his house following his father's death; explores grief, recovery, and relationships between people and things.
The Face: A Time Code
2016 Nonfiction (observational)A personal nonfiction work based on a three-hour experiment observing her own reflection and logging arising thoughts.
Bibliography
- My Year of Meats (1998)
- All Over Creation (2003)
- A Tale for the Time Being (2013)
- The Face: A Time Code (2016)
- The Book of Form and Emptiness (2021)
- Body of Correspondence (film, 1994)
- Halving the Bones (documentary film, 1995)
Style & Themes
- Literary Style
- integration of personal narrative and social issuesuse of metafictional techniquesmix of humor and philosophical reflection
- Recurring Motifs
- food and cookingvoices of objectstime and memorycross-cultural (US–Japan) identity
Legacy
Ruth Ozeki is internationally recognized for works that blend cross-cultural identity, environmental politics, technology and religion. Her dual role as a practicing Zen priest and novelist marks a distinctive contribution.
Trivia
- Legal name: Ruth Diana Lounsbury.
- The pen name 'Ozeki' was taken from a former boyfriend's surname to better represent her mixed heritage.
- Her novels have been translated into more than thirty languages.
- When shortlisted for the Man Booker Prize she was the first practicing Zen Buddhist priest to reach the shortlist.