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A Sunny Place for Shady People: Stories

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A Sunny Place for Shady People: Stories

Mariana Enríquez

幽霊や不穏な気配、身体の変容をめぐる物語を集めた短編集で、日常の裏に潜む恐怖を鋭く描く。

短編集ゴシック怪異身体ラテンアメリカ文学

作品情報

日常に潜む怪異を、残酷で鮮やかな筆致で切り出す。

Hogarth 版の紹介では、幽霊やゴブリン、奇妙な身体感覚に満ちた物語が、政治や暴力の影とともに語られる。翻訳版としても、マリアーナ・エンリケスらしい不穏さとユーモアが前面に出ている。

書籍情報

出版社
Hogarth
発売日
2025-09-09
ページ数
272ページ
言語
英語
サイズ
13.16 x 1.45 x 20.27 cm
ISBN-13
9780593733271
ISBN-10
0593733274
価格
3415 JPY
カテゴリ
洋書/Literature & Fiction/Genre Fiction/Horror

WORLD FANTASY AWARD WINNER! BRAM STOKER AWARD FINALIST • A diabolical collection of stories featuring achingly human characters whose lives intertwine with ghosts, goblins, and the macabre, by “Buenos Aires’s sorceress of horror” (Samanta Schweblin, The New York Times ) “Entertaining, political and exquisitely gruesome, these stories summon terror against the backdrop of everyday horrors. . . . A queen of horror delivers more delightfully twisted stories.”— Los Angeles Times “As vivid and essential as Kafka’s tales.”— Minneapolis Star-Tribune NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • IGNYTE AWARD FINALIST • LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • A BEST BOOK OF THE YEAR: TIME, THE NEW YORK PUBLIC LIBRARY, PUBLISHERS WEEKLY, CHICAGO PUBLIC LIBRARY, THE TELEGRAPH, ELECTRIC LIT, PASTE, LATINA MEDIA On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women. Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women—these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists. Lyrical and hypnotic, heart-stopping and deeply moving, Enriquez’s stories never fail to enthrall, entertain, and leave us shaken. Translated by the award-winning Megan McDowell, A Sunny Place for Shady People showcases Enriquez’s unique blend of the literary and the horrific, and underscores why Kazuo Ishiguro, winner of the Nobel Prize for Literature, calls her “the most exciting discovery I’ve made in fiction for some time.”

Mariana Enriquez is a writer based in Buenos Aires. In English, she has published the novel Our Share of Night and two story collections, Things We Lost in the Fire and The Dangers of Smoking in Bed, which was a finalist for the International Booker Prize, the Kirkus Prize, the Ray Bradbury Prize for Science Fiction, Fantasy & Speculative Fiction, and the Los Angeles Times Book Prize in Fiction. Megan McDowell has translated many of the most important Latin American writers working today. Her translations have won numerous prizes, including the National Book Award, and have been nominated for the International Booker Prize four times. She is from Richmond, Kentucky, and lives in Santiago, Chile.

レビュー

  • works on a couple of different levels this read

    Works on a couple of different levels this read. On one level its psychological horror, in that it is a very well narrated horror of social disintegration, the protagonist describes the emergence of "express kidnappings" wherein victims are driven to ATMs and compelled to withdraw money with a sort of painful resignation that it hasnt happened to them "yet". This aspect reminded me of the sci fi masterworks series' "Random Acts of Senseless Violence". Then there is the supernatural horror, of ghosts appearing to the protagonist and others in the neighbourhood, murder victims, victims of accidents or misadventure or illness. This aspect reminded me of the movie "The Sixth Sense". What I liked about the supernatural aspect is that there is not too much exposition and explanation, its a plot device rather than the story in its entirety if that makes sense. In this respect it reminded me a little bit of the "Odd Thomas" series by Koontz, although I think I prefer this author's style of writing, the pace and style was much more agreeable and I found it a real page turner and pleasing read. It also reminded me of some other, more obscure trashy occult detective style novels, like "The Lower Deep" but I dont expect as many people would be familiar with those as are familiar with Koontz. I hadnt heard of this author before but I think I would books by them. Great read. Recommended.

  • Lesenswert!

    Am Beginn war ich mir nicht ganz sicher, was ich von dem Buch halten sollte. Doch nach jeder weiteren Geschichte gefiel es mir besser. Die Geschichten haben gewisse Ähnlichkeiten - paranormale Begegnungen -, sind aber trotzdem sehr verschiedenen. Manche haben mich sehr berührt bzw. sind lange in mir nachgehallt, was ich sehr schön finde. Ich würde das Buch jedem sehr empfehlen.

  • Perfect!

    Received quickly and quality is perfect!

  • Amazing read!

    If you liked her other books you’ll like this one too. Truly a fantastic author and these short-story collections are great horror with important elements of social critique.

  • Spooks and Crooks

    I already knew what to expect from this Argentinian queen of offbeat horror, a genre I never knew I could stomach since perhaps Chuck Palahniuk in my younger days. So I plunged into this third short story collection and was quickly absorbed by the ghosts and hauntings that the protagonists (most of them young or middle-aged women) encounter and live to tell, set against the mortal evil (which are sometimes more deadly) in the crime-infested slums. Even in the seemingly more affluent suburbs, danger lurks. In the opening story, “My Sad Dead”, a woman and her neighbours are haunted by the spirit of a teenage boy who was killed by his kidnappers when he tried to escape and failed to receive help from their closed doors. In the closer, “Black Eyes”, a social worker and her fellow volunteers encounter two young boys dressed inexplicably in lederhosen who asked to be let into their van after they have finished their rounds of food distribution to the homeless and dispossessed on the streets of Buenos Aires. Enriquez also delves into the true crime story of Eliza Lam, a Canadian woman who drowned in a hotel water tank in the 90s. Videos of her inexplicable behaviour in the hotel lift are still circulating online as the case remains unsolved. In the titular story, an Argentinian journalist flies to Canada to investigate the cult that has turned Eliza Lam into a deity of sorts. It is spine-chilling to say the least. The horror that Enriquez excels at (arguably) is in the unresolved endings, such as in “The Refrigerator Cemetery” where a woman revisits the site of a deadly childhood misdemeanour, or in “A Local Artist”, where a couple visits a forgotten old town and finds themselves quite unable to leave. Within that story, Enriquez also examines the lost histories of rural places. Having read all three collections and her novel “Our Share of the Night” (all translated by the inimitable Megan McDowell), I can safely say that Enriquez is a writer whose short fiction I am firm fan of (when I am in the mood for some disturbing prose).

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