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The Stone Sky (The Broken Earth, 3)

ヒューゴー賞

The Stone Sky (The Broken Earth, 3)

N. K. Jemisin

破壊された地球を舞台にした三部作の完結編。エッスンは世界を救うため月を取り戻そうとし、娘ナッスンは救いようのない世界を終わらせようとする。母と娘の選択が、抑圧の歴史と文明の未来を決定づける。

終末世界母娘抑圧文明の再生地質ファンタジー

作品情報

世界を救う母と世界を滅ぼそうとする娘が、最後の季節の果てで向き合う。

『輝石の空』は《破壊された地球》三部作の第三部。〈第五の季節〉と呼ばれる破局が繰り返される世界で、ロガと呼ばれる能力者たちへの差別、古代文明の遺産、月の不在が一つの謎として結びつく。日本語版は東京創元社の創元SF文庫、英語版は Orbit 版の紙書籍 ISBN を記録した。

レビュー要約

  • 三部作を通じて積み上げてきた社会構造と家族の物語を、壮大な決着へ導く点が評価されている。世界設定の独創性に加え、怒りと赦しの選択を母娘の関係に集約する構成が強い余韻を残す。

書籍情報

出版社
Orbit
発売日
2017-08-15
ページ数
464ページ
言語
英語
サイズ
13.97 x 3.81 x 20.96 cm
ISBN-13
9780316229241
ISBN-10
0316229245
価格
2789 JPY
カテゴリ
洋書/Science Fiction & Fantasy/Fantasy/Epic

Humanity will finally be saved or destroyed in the shattering conclusion to the post-apocalyptic and highly acclaimed NYT bestselling trilogy that won the Hugo Award three years in a row. The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

N. K. Jemisin is a Brooklyn author who won the Hugo Award for Best Novel for The Fifth Season , which was also a New York Times Notable Book of 2015. She previously won the Locus Award for her first novel, The Hundred Thousand Kingdoms , and her short fiction and novels have been nominated multiple times for Hugo, World Fantasy, Nebula, and RT Reviewers' Choice awards, and shortlisted for the Crawford and the James Tiptree, Jr. awards. She is a science fiction and fantasy reviewer for the New York Times , and you can find her online at nkjemisin.com.

レビュー

  • テンポの悪い小説

    背景や道具など小説世界は良く出来ている。最後まで読めたのでストーリーもご都合主義だが合格点だろう。 ただ、テンポが悪く、素人ぽい文章も鼻につく。 また、読んでいて気になったのは、ポリコレ臭。ハリウッド映画なども汚染されているので、多分これは作者の責任ではなく、アメリカがそれだけ病んでいるということなのだろう。 久しぶりにSFを読んだが、三年連続ヒューゴー賞受賞が何かの政治的操作によるものでないとしたら、すでにジャンルとして衰退している、と思った。

  • A both frustrating and satisfying closure to an extraordinary trilogy.

    While I loved this series--it is an extraordinary act of world building and meditation on racial oppression and environmental destruction woven out of utterly compelling human stories--the final book feels a bit like she was trying to get it done. It has too much exposition. The reader finally finds out who is speaking in the second person, but this character is used to explain too much to wrap the story up. Even plot action gets sped up whereas it lingered before in a way that allowed us so much intimacy with the characters. It's a bit frustrating after the amazing narrative that has come in the previous two books. Despite all this, I loved it and felt satisfied in closing my relationship with these people and the ideas I'd spent so much time with up to this third instalment. I'm no specialist to say so, but from where I stand, the series is obviously worthy of its Hugo.

  • Stunning Conclusion to The Broken Earth Trilogy

    No one has ever won the Hugo Award for Best Novel three times in a row. Even the list of those who have won it twice consecutively is a very short one: Orson Scott Card (1986, 1987 and don't get me started on that man), Lois McMaster Bujold (1991, 1992) and N. K. Jemisin (2016, 2017). I wonder if 2018 will be the year we have a three-time consecutive winner. This book is as perfect a melding of science fiction and fantasy as I have ever read. The world it gives us is so alien and yet its conflicts and its characters are utterly timeless. It is the best book in the trilogy, and I believe the best fiction book I’ve read this year. I have waited a while to summarize my thoughts on the The Stone Sky, the conclusion of N.K. Jemisin's (who I just cannot stop thinking of as Nora because I want to call her by her name) simply stunning Broken Earth trilogy. It published just when I was returning from the Helsinki WorldCon, where she won her second Hugo for The Obelisk Gate. Things were hectic for me then, as my beloved cat was critically ill. So I put off starting the novel, in order to give it my full attention, and then once I did start the audiobook, narrated by the fabulous Robin Miles, I had to evacuate with my family due to Hurricane Irma. I had made it to almost 80% and more than a few friends kept asking (read: pestering me) if I was finished yet. One was ready to pull her hair out when I told her, after returning home after the hurricane, that I was restarting it, yes, listening to the audiobook again, from the beginning, so I would have no distraction. In truth, part of me didn't want to finish the book, because then… it would be finished. I knew that there was no way there was not going to be heartache at the end of this series. But most of all, the series would be at an end, and you know how it is- that special sadness when you finish a series you love. Once I did finish it, it took a while for me to even form words to put on a page. Because I was blown away. My head still spins from it. It has been many years since I have read a book that has impacted me emotionally as this book has. When we began the series, The Fifth Season gave us a narrow focus on Damaya/Syenite/Essun. In subsequent books, Jemisin has given us a progressively wider view of the horribly flawed (dystopian seems like a mild word) world that Essun lives in. Although the books have given us the wider angle, we still have great depth of field, both with characters, and Earth’s history. While much has been written about Jemisin's awe-inspiring world-building skills, what lingers with me is the depth of her characters. Their complexity, and their all too real emotions, seem almost as if she was giving us her therapeutic insights into people who, by the end of the series, whether stone eaters or orogenes or stills or guardians, have become very real to me. I felt like I knew them, I mourned them, I celebrated them. Her insights into motherhood and shattered childhood are particularly poignant. And the evil Earth? Perhaps the most misunderstood character of all. The Stone Sky manages to answer many questions, about the origins of orogenes, of stone eaters, of guardians and of Seasons. It gives us the perspective of the past 40,000 years through the eyes of Hoa, who becomes a POV character, giving us vital backstory about how we got to this horrible broken place. (We also get brief POV thoughts from Alabaster, btw.) We learn how the Earth got to be broken and most of all, why some things that are broken should just be discarded. But there was so much more to this book than all this. First of all, how often do we see a sci-fi/fantasy series where the main character is a middle-aged mother of three? How often do we see the protagonists trying to destroy their world rather than preserving it? How often do you have your two protagonists acting in direct opposition to one another yet remaining... protagonists? Can we possibly choose between Nassun and Essun, given what we know about them and about what they have suffered? Most of all, The Stone Sky gives us the backdrop of Earth’s history- its cycles of oppression, the enslavement of one race or another, the violence visited upon the planet, all proving time and time again that this Earth, these people, are so broken that it is almost impossible to envision fixing things without destroying everything and simply starting over (exactly Nassun’s take). Alabaster’s vision, of recapturing the Moon into the Earth's gravitational field to end the cycles of cataclysmic fifth seasons, seems at times like it could never possibly be enough to right what is wrong. Because what’s wrong is more than just geological and meteorological. The culture of abuse, enslavement are repeated again and again. And yet, removing fifth seasons could change the balance of those left living on the Earth, thereby possibly changing the Earth itself. As she says in her moving Afterward, “Where there is pain in this book, it is real pain; where there is anger, it is real anger; where there is love, it is real love. You’ve been taking this journey with me, and you’re always going to get the best of what I’ve got…” Nora wasn’t kidding.

  • Excellent series

    The first book can be quite confusing, but after I figured out what was going on I carried on reading all 3. They are excellent, and I will of this author.

  • Good but not amazing

    I like the trilogy, it has interesting concepts to think about regarding humanity and it's path. Nevertheless, the books had some parts, that in my opinion, were not so easy, maybe confusing or interesting to read. At the end I like it, but it was kind of hard to get to the end.

  • A powerful and satisfying conclusion to a brilliant trilogy.

    The Broken Earth trilogy comes to an end. The final layers of mystery are peeled back, and we finally discover this world, with all it's mystery, wonder and horror. Considering how many layers there are, and how many threads have been woven into the story, it would seem like a huge challenge to bring it all to a satisfactory conclusion - but Jemisin does it superbly well. No plots unresolved, no threads left dangling, and not a hint of an anti-climax in the world-shaking climax. The series throughout has been a hugely impressive display of imagination both in the intricate world-building and the brilliant character development throughout. All presented with a perfect word flow, but that almost goes without saying - writing at this level doesn't dump you out of the story with awkward sentences or confusing descriptions. But, more than an amazing bit of story-telling, the series, and this final novel in particular, has some real depth in its portrayal of human character and human interaction. It shows the worst of us - right back to the very causes of the Earth being broken to start with - it shows both the weakness and strength of people struggling to survive in appalling circumstance. Above all though, it shows love, and how powerful love can be at influencing events on the smallest and greatest of scales. Without love in the equation, the story could not have happened as it did. All outcomes would have been different, and ultimately worse. A powerful and satisfying conclusion to a brilliant trilogy.

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