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All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake

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All That She Carried: The Journey of Ashley's Sack, a Black Family Keepsake

Tiya Alicia Miles

一つの遺物の来歴をたどりながら、黒人女性たちの生の連鎖とアーカイブに残されない歴史を掘り起こす。家族の記憶を、史料と物語の両面から再構成するノンフィクション。

ノンフィクション黒人女性史家族史アーカイブ

作品情報

ひとつの布切れから、何世代にもわたる歴史が立ち上がる。

『All That She Carried』は、Ashley’s Sack を手がかりに、奴隷制と家族の継承が残した傷を丁寧に読み解く。個人の記憶と歴史研究が重なり、見えにくかった声を前景化していく。

書籍情報

出版社
Random House
発売日
2021-06-08
ページ数
416ページ
言語
英語
サイズ
15 x 3.2 x 22 cm
ISBN-13
9781984854995
ISBN-10
1984854992
価格
3991 JPY
カテゴリ
洋書/History/Americas/United States/Civil War/Women

NATIONAL BOOK AWARD WINNER • NEW YORK TIMES BESTSELLER • A renowned historian traces the life of a single object handed down through three generations of Black women to craft a “deeply layered and insightful” ( The Washington Post ) testament to people who are left out of the archives. WINNER: Frederick Douglass Book Prize, Harriet Tubman Prize, PEN/John Kenneth Galbraith Award, Anisfield-Wolf Book Award, Ralph Waldo Emerson Prize, Lawrence W. Levine Award, Darlene Clark Hine Award, Cundill History Prize, Joan Kelly Memorial Prize, Massachusetts Book Award ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly “A history told with brilliance and tenderness and fearlessness.”—Jill Lepore, author of These Truths: A History of the United States In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward, in the United States. All That She Carried is a poignant story of resilience and love passed down against steep odds. It honors the creativity and resourcefulness of people who preserved family ties when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today. FINALIST: MAAH Stone Book Award, Kirkus Prize, Mark Lynton History Prize, Chatauqua Prize, Women’s Prize ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, Time, The Boston Globe, The Atlantic, The Atlanta Journal-Constitution, Smithsonian Magazine, St. Louis Post-Dispatch, Ms. magazine, Book Riot, Library Journal, Kirkus Reviews, Booklist

Tiya Miles is professor of history and Radcliffe Alumnae Professor at the Radcliffe Institute for Advanced Study and director of the Charles Warren Center for Studies in American History at Harvard University. She is a recipient of a MacArthur Foundation fellowship and the Hiett Prize in the Humanities from the Dallas Institute of Humanities and Culture. Miles is the author of The Dawn of Detroit, which won the Frederick Douglass Book Prize, among other honors, as well as the acclaimed books Ties That Bind, The House on Diamond Hill, The Cherokee Rose: A Novel of Gardens and Ghosts, and Tales from the Haunted South, a published lecture series.

レビュー

  • ...um dos meus melhores livros deste ano. Extraordinário. Um trabalho muito sério sobre uma época em que tudo foi negado a quem foi privado de si mesmo.

  • Would recommend

  • Tracing a textile in the history of slavery is brought to life. How could you not read this important history?

  • It maybe a good book but not interesting one. It looks like history book also not very connected like history book but scattered. Again this is my opinion

  • The moment I picked up this book, I took out my pen. I knew I'd mark it up. I knew I'd be taken on a journey with the author leading the way. I often do this with books I know I will love. I underline, circle and highlight. I placed this book on mud cloth covering a chest beside my bed. It is beside other books that leave me thinking and breathing again. What an exhale. Like Tiya Miles, the author, I have ancestry in Mississippi. Via this book, she took me to the south, but also to the unnameable places where black women/women period have fought for their humanity (indeed, I have seen knitting old women in the frigid North Atlantic doing something similar. Fighting!). They save themselves. They save their families. Some do so via cloth. Each stitch on fabric that may be passed on to a loved one signals their/our determination to live, but also seeable and unseeable histories involving ever-hurting people. They are still strong people. I have not finished this book. I stop to savor what it is saying. I also cannot get the hand-sewn curtains made of cotton that my late grandmother gave me out of my mind's eye. I can still see her uneven stitches. She had arthritis. She also had great love. At the time I received the curtains, which are pictured here, I was leaving for another state, but she wanted to give me something. Something that may not have been much. She gave me a part of herself when she presented those curtains. Miles, an accomplished and amazing historian, has done the same. Read this book. It will remind you of this one thing: we are strong enough to get through this difficult moment in world history. Remember the ancestors. Remember the things they have been stitched, touched, passed down. Remember.

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